I have joined the Maleny Printmakers group.
We have an exhibition coming up in September as part of a Regional Arts Festival [Art Street Maleny - HORIZON ARTS FESTIVAL].
The idea is to create editions of 10 of 5 different prints. As I am not a traditional printmaker, my work will be editions of monoprints, each one being slightly different.
The first series started as free transfer prints from a glass plate to paper, using lino block inks,
and checking composition with a correctly sized viewfinder.
I love creating tissue paper chine colle to use in my work, so I happily painted some greens and blues to enhance the landscape feeling.
By now there was a distinct 'glacial' thing happening, so I cut some stencils to print solid areas of flowing ice and snow, then scratched in a few lines to enhance the flow.
A final selection of composition and framed ready to go.
I finished 'Eye Spy' a couple of weeks ago.
I gave up on using rib bones for glasses arms as they were too soft and not bent on the right angle. I found some great old reading glasses in the local op shop which even hinged in the right places, so took the arms off, did a bit of grinding and drilling and attached them to the lenses.
I glued some tiny watch parts either side of the glass for more stability and popped a bunch of emu feathers in the hole in the vertebra just for fun.
I want to use the kangaroo rib bones for the arms of the spectacles. They are the right shape. There must be some way to fix them to the holes in the lenses by means of the watch winders. Many hours spend drilling fine holes [fragile and brittle], fiddling with difficult angles and getting blu tac stuck over everything.
happy with the 'nose piece' bone and I fancy adding some bony eyebrows.
Fortunately, the hole through the vertebra bone will accommodate a
couple of rib bones after some gentle grinding and shaping.
bit more grinding with my dremel grinding wheel, and I make a groove to
seat the gold nose pieces of the specs.....all held in place with epoxy
resin...yes, a bit of creative license here!
to attach spectacle arms to the lenses? Rummage through a box [one of
about a doz] of tiny watch parts. Gold winders fit perfectly, they
I have entered into the Toowoomba 'Contemporary Wearables' Biennial Jewellery art exhibition and prize.
Contemporary, mixed media jewellery is my favourite thing to do.
Unfortunately there is no guarantee that my work will be accepted, but I
need to keep entering these things to keep me motivated.
Step 1. These are the materials I want to use:
1. old reading glasses found in various places, [I love the top gold
ones so will keep them and try to get my own lenses fitted], 2. kangaroo/wallaby bones found on Bruny Island [road kill], 3. acupuncture needles, 4. farmed emu feathers.
I want to use the broken glasses - love the gold spring loaded nose pieces!
Need to work out how to connect the loose lens - [went with araldite],
and can I use something to cover the edge of the lens - tried all sorts but nothing worked. Which bone to use and how to fix it over the nose piece? A play with feathers in a convenient hole in the bone. [some Biology lessons on nerves travelling through tunnels in the bones]
I worked quite a bit of whispy white acrylic paint into the furry
textured areas. I'm certainly not fussed about pedantic watercolour
techniques- mixed media is the way to go as far as I'm concerned! It was
quite a challenge to get the shadows and highlights of the 'locks' of